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Understanding Newspapers – Watch The Wire, Season 5

If you haven’t heard about HBO’s The Wire, I would suspect you might have been living as a hermit a little over a year ago. The critically acclaimed show ended last March, with a final season that examined the news media.

Now, since it is the final season, if you really want to know what’s going on, you’ll have to watch the other four seasons. Do it. It’s a great show. (And to those who have watched the show, were you as thrilled as I was to see Stringer Bell putting his business acumen to work for Dunder-Mifflin?)

The show’s creator and head-writer, David Simon, spent 12 years as reporter for The Baltimore Sun. He also wrote Homicide: A Year on the Killing Streets, which later became the basis for the NBC show Homicide: Life on the Streets. Season 5 of The Wire focuses on The Baltimore Sun, examining the effects of budget cuts – an understaffed newsroom, the loss of institutional knowledge when seasoned reporters are laid-off – as well as the effects of corporate ownership and a focus on winning awards.

I worked on an interesting book a couple years ago that tackled this very issue: Knightfall: Knight Ridder and How the Erosion of Newspaper Journalism is Putting Democracy at Risk, written by Buzz Merritt, a former Knight Ridder employee and retired editor of The Wichita Eagle. Listen to an interview with Buzz on NPR’s On the Media here.

This past year, I received update after update reporting 20 layoffs at one paper, 40 buyouts at another, 30 more at another paper, etc. Recently, the Seattle Post-Intelligencer ceased print publication and is now online only. The Ann Arbor News will cease publication in July.  Many newspapers have cut publication days and home delivery. As someone who studied journalism in college and really enjoyed classes like Newswriting, Feature Writing, and Magazine Editing & Production, the current state of newspapers saddens and concerns me.

As a publicist, I understand this means reporters are now covering beats that a colleague used to cover. Or those beats just aren’t a part of the paper’s coverage anymore, and the paper may be relying more and more on wire services and syndicated writers. This in turn means that scoring ink and arranging face-to-face interviews has become harder than ever (not to mention just getting a reporter on the phone. They’ve always been busy, but are even more so now.)

All of this underscores the importance of online promotion. It’s here to stay, even if efforts like  The Huffington Post Initiative Fund (read an analysis of it as a business model here) take off and are duplicated. So here are some things you can do to promote yourself online:

And remember, you don’t have to do it all. Just do what makes sense for you, your audience, and what you can reasonably handle.

Here’s some resources to get you started:

And finally, don’t forget to put The Wire on your NetFlix Queue.

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